![]() ![]() Electronic MayhemĮlectronic Mayhem sounds have a disruptive attitude. Try using the Arpeggiator to generate patterns, and then combine them with other Electro Perc sounds in Multi mode to create a powerful drum machine. Electro PercĮlectronic Perc sounds are similar to those found in analog drum machines and synths. Patches from the Distortion category are intense - often processed with a variety of distortion, guitar amplifiers, and feedback techniques. This type of acoustic sonority produces wonderful material for the Granular synthesis in Omnisphere and is ideal for creating cinematic timbres. Many Soundsources in Omnisphere were recorded by playing objects with bowing techniques. Bells and Vibesīells and Vibes Patches are generally rich in overtones and are played simply and sparsely for melodic parts and accents. Satellite Instrument support for Trilian and KeyscapeĪ new brand of innovative products built by Spectrasonics, that introduce a completely new experience for Omnisphere by extending its capabilities with special features, effects and sounds.Here are descriptions of the kinds of sounds in each Factory Patch Category: ARP + BPMĪRP + BPM Patches make use of the Arpeggiator, Envelopes, and LFOs - great tools for achieving complex, rhythmic patterns. Omnisphere’s amazing sound library is constantly growing and being pushed in fresh directions by the award-winning Spectrasonics Sound Development Team.Įnhanced Orb interface with Attractor mode Since the beginning, Omnisphere has been the sonic weapon of choice for creative players and producers in search of next level sounds on hit records, bestselling games and Oscar-winning films. The modernized GUI is now easier to use and resizable to fit comfortably into your workspace. Omnisphere supports a newly redesigned, high resolution interface with support for HiDPI displays. You can use your own audio file as a soundsource in Omnisphere, simply by dragging it onto the interface! Go wild with using the new Granular Synthesis, Harmonia, Innerspace and many other creative tools inside Omnisphere! Best of all, the new sounds are available for ALL users, regardless of using the hardware or not!Ĩ LFOs, 12 ENVs, 34 Filter Types per part These inspiring new sounds feature a wide range of categories and many have a distinctly ‘classic’ flavor! Notably, this update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omnisphere’s vast synthesis capabilities. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller. Omnisphere includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can fully expand their capabilities into the vast sonic world of Omnisphere! Simply put, this ground-breaking feature makes using Omnisphere feel just like using a hardware synth! By bridging the physical experience gap between software and hardware, users gain intuitive control of Omnisphere by using the familiar layout of their supported hardware synth. This remarkable innovation transforms over 65 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Omnisphere is the only software synth in the world to offer a Hardware Synth Integration feature. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration. Top Artists all over the world rely on Omnisphere as an essential source of sonic inspiration. Omnisphere 2.8 – Endless Possibilities Omnisphere® is the flagship synthesizer of Spectrasonics – an instrument of extraordinary power and versatility. ![]()
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